2045 - ZEN OF OZ  


INVESTIGATING AUSTRALIA’S GLOBAL CARBON FOOTPRINT,

A JOURNALIST GOES FROM TRIBE TO TRIBE UNTIL HE FINDS HIS OWN​


Investigative journalist Jake Bennet, mired in a personal bereavement, works with Sydney’s tribal youth to reclaim flooded ancestral grounds. Fighting the inertia of a parochial 4th estate still in denial of climate change, despite a flooded coastal Sydney in rising seas, it’s his ability to condense complex science, corporate greed and environmental injustice into palatable storytelling that wins him a prestigious commission, ushering a professional comeback to explore the global ramifications of Australia’s carbon footprint, a subject traditionally redacted from mainstream news.


His first jaunt, interviewing a fugitive Canberra politician holed up in Miami who sets his Jewish mafia mob onto Jake when the questions get tough. Amber, his Lebanese camerawoman persuades him to focus on the tribal; a red herring report ensues - the aftermath of Osage fracturing in Oklahoma ends in funerary mayhem embellished by man-made earthquakes.  A valuable insight into tribalism gone awry, one that counters Amberine’s claim for tribal solutions to ecological disasters. The story becomes Jake’s Achilles heel, jeopardizing his contract with his Sydney editor.  In NYC, an Aussie tweenage climate activist’s deposition at the UN turns her parental custody battle into Jake’s problem when he assumes temporary custody while escorting her to the ICJ in The Hague, where she is the plaintiff bringing an agrochemical conglomerate to justice.


Something has hit Jake’s gut. Two women have insinuated themselves into his life. Promising a speedy re-union, Amberine delivers their Osage story to her editor in Doha while Jake, Avery in tow, follows Australia’s hazmat trail from Perth to Helsinki, delivered onto Italy’s Mezzogiorno burning fields. A Zurich scoop on a Melbourne reinsurance fraud finds Jake’s interviewee Head of Flood’s body floating in the river. Avery insists on corralling young Italian farmers burnt by glyphosates into protest, but the cancer ward scenes in hospitals around Nola’s poisoned lands are more horrific, victims of the same poisons decimating mine-displaced communities in Western Australia.  A cathartic moment with his deceased partner’s grandparents in Naples becomes a stigmata moment for Avery, who’s futile resistance to her warring parents return order sees her leaving, promising a speedy return into Jake’s life.


Jake’s obsession with cataloguing the elements, sand, seeds, water, do not cloud his motives to visit the Middle East; a desert’s worth of Aussie sand has built the planet’s tallest towers, scoring Australia’s deepest carbon footprint. A moment of bliss with his adored colleague, Amberine, their sweet intense short-lived fling is abruptly soured when they dig deeper into the sand story; a Bedouin investigative reporter, and worse, a camerawoman, are red flags for the sheik’s security phalanx; Amberine is arrested. Jake is deported from the same Gulf State. Both the status of his report and the plausibility of his newly germinated tribe are now in question.  Licking his wounds in Thailand, reporting the “stranded assets” of an Aussie gold mine poisoning villagers. Meanwhile his commissioning editor’s board of directors are threatening to fire him and ditch the story. Finally there is news of Amberine’s conditional release; she has since gone off the radar.


Seeds, Sand, Water    Season One Overview


A bereaving investigative journalist veers from his remit to chronicle Australia’s global carbon footprint when joined by two climate apartheid activists. As mother-nature re-claims the planet, they share a mandate to inform vulnerable communities on surviving their devastated environment. The season’s arc explores a man’s personal transformation as he draws a tangible map to help afflicted communities return infrastructures to the indigenous – meanwhile witnessing the genesis of his own ad-hoc family in the process.


The pilot feature sees Jake return to a professional life and a re-connection with women and children as he explores  Australian ecological crime globally, taking him to the USA, Europe and the Middle East.  When his ad-hoc family separates, he continues tracing Australian mining’s stranded assets in Thailand, which leads to a prolonged fight with a Chinese documentarian’s radical plans to salvage a flooding Shanghai, confirming that even the tribalest of the tribalists are flawed.


Unraveling previously classified data implicates Australia’s fossil fuel tentacles in controversial projects, which, while winning him renewed tenure with his editor, creates fallout from of their corporate shareholders.  A surprising custody battle awards Jake custodianship over Avery, but with goons on his trail - hired by a disgraced mining heir to disappear Jake, there’s no time for celebration, instead he attends to his impassioned quest for Amberine, who, on a border protection blacklist, must jump through hoops to join him. Witnessing waves of Oceania climate refugees, Jake colludes in the hijacking of a Japanese whaling ship, enabling an exodus of Tanna Island cargo cultists from their submerged island - Jake watches from afar as his  consort-to-be, stowed on a climate refugee boat, is about to challenge the terms of entry into Australia. First he must deal with the goons who are determined to off him – does Jake need to kill in order to live to meet Amberine on that Gold Coast beach landing?



The Mood: A foreboding,  numinous ambient mist envelops everything, harsh tones cede to funereal silences unmuted by bizarre meteorological events.


The Tone: Informal, abrupt, passionate; The Constant Gardener lives his Year of Living Dangerously. 




Season one 10 x 60 min episodes

Available assets: feature film pilot screenplay; series mini-bible


Zen Of Oz is registered with the Library of Congress Copyright Office


For further enquiry please contact simon@shootasia.com


Zen of Oz copyright Simon Grome 2015 - 2022

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